EXPRESSIVE IDENTITIES / MYSTERIOUS PAINTINGS
Circular, 22"x 22", 2002 Death Wish, oil on canvas, 28"x 28", 2001
Leo Coimbra Michael Biddle
Leo Coimbra is a Brazilian artist from the "utopian" modernist city of Brasilia. As such, her work draws from a vocabulary inspired by concrete poetry, concretism, geometric photography, Bossa Nova music, and the modernist architecture of Oscar Niemeyer and Athos Bulczo. It aims to combine the symbolic geometric language of forms derived from modernism and constructivism into a private archeological and magical visual experience. Leo Coimbra has an extensive record of exhibitions since 1995, having one person shows in Brasilia and Belo Horizonte, Brazil, in Lima, Peru and in Quito, Ecuador. In 2002 she exhibited in a three person exhibition at Galerie Chacur at 72 Orchard Street in lower Manhattan and in a collective show at the United States District Court in Washington, DC. A recent review by Gazeta Mercantil DF of Brasilia states: "Her delicate themes represent images that call for reflection. Small imprints that draw our curiosity, elongated jungian figures with a strong psychic presence, a 'ndif' abstraction These paintings will both surprise and intrigue their viewers. Michael Biddle is a graduate of Harvard College and the Skowhegan School of Painting and Sculpture. He maintains a studio in the Mount Airy section of Croton-on-Hudson, New York where he also lives with his wife, the sculptor Liz Biddle, in a wonderful 1929 house built by his artist father, George Biddle. He is a very active practicing artist having participated in exhibitions at The College of New Rochelle's Castle Gallery, the Silvermine Guild of Artists in Connecticut, Westchester Council for the Arts Arts Exchange gallery, and Gallery 128 and 55 Mercer Street gallery, both in New York City. He is the Chairman of the Fine Arts Department at the Fashion Institute of Technology and has taught painting, drawing and printmaking throughout his artistic career. His recent abstract paintings evolved intuitively with every added layer of oil paint to canvas, subtly and unpredictably encoding particular shapes that expressively develop a personal language of identity. These are powerful paintings that ultimately hint at the conflicting feelings or sensings of chaos and calm.